“A rousing corporate melodrama full of twists, turns, and vivid characters.”
A series of vexing work-related conflicts complicate a female executive’s life in journalist-turned-novelist Hanafee’s series opener.
Outspoken, 40-something Leslie Elliott has her hands full as a busy public relations guru for the utility company Metro Energy. Her firm’s new CEO, a womanizing cad named Brad Stewart, embroils Leslie in his lofty plans to merge with Statewide Power and Light, a lucrative utility concern based in the Midwest. With a combination of fear, vulnerability, opportunism, and erotic excitement, Leslie decides to accept Brad’s offer to collaborate with him on his latest venture, though she knows he’s unscrupulous both in and out of the office. When the merger offer is rejected, Brad becomes obsessed with making Leslie his “next conquest,” manipulating her with intimate personal confessions. When Leslie’s curt “control freak” husband, Scott, abruptly files for divorce and begins openly seeing another woman, a shift occurs in her outlook, and she begins to act with carefree liberation. She spontaneously treks back to Florida and begins seeing Tim Fletcher, an older Statewide executive who had refused the initial merger with Brad, but Brad’s pursuit of Leslie continues. When Leslie convinces Tim to attend another meeting with Brad about the proposal, she is caught in the middle of Brad’s unethical hostile takeover plot. These developments complicate her burgeoning feelings for Tim and feed her reluctance to continue supporting Metro altogether.
As the situation unspools, it becomes clear that the crux of Hanafee’s novel lies in power dynamics, as the narrative cleverly addresses hot-button issues of sexual harassment on the job. Leslie becomes uncomfortable around her new boss, allowing his inappropriate behavior to intimidate her while neglecting to report it. She needs her job and initially finds Brad alluring, so she makes excuses and allowances that, in turn, proliferate the abuse. Leslie’s inner monologue reveals that she is tiring of the terse treatment from the men in her life and the double standards in the corporate arena and that she has been working to “find the voice to respond” to the treatment she’s had to endure. A minor weakness of the novel is its unevenly portrayed peripheral characters, such as Leslie’s college-age daughter, Meredith, who is enticingly drawn but sparsely appears in a narrowly focused narrative that could use some opening up. Readers may also want more of Leslie’s charismatic best friend, Karen Chanders, who adds some feisty spice to the melodrama. Despite this, the lead characters are memorable and provide the needed grounding the busy plot requires. With Leslie as an anchoring, empowering element, former Indianapolis Star reporter Hanafee’s novel is a fast-paced, intense depiction of corporate America and the perennial struggle of women seeking equal treatment in the boardroom. This is an auspicious start for an adventurous, creative author.
A rousing corporate melodrama full of twists, turns, and vivid characters.
